Kamis, 07 Februari 2013

Selena Gomez works the front row at Neo show

singer Selena Gomez attends the 8th Annual UNICEF Snowflake Ball at Cipriani 42nd Street in New York. Gomez sat front and center at the Wednesday

Selena Gomez sat front and center at the fashion show to preview the first collection in her collaboration with Adidas' streetwear Neo label.

But the runway at Wednesday evening's show was a next-gen catwalk: Teenager bloggers were charged with styling the outfits instead of industry professionals.

Gomez thanked them as she stood on stage at the end of the show. She was flanked by models in denim shorts, Bermudas, slouchy sweats and T-shirts that read "Pirate Love." There were a few graffiti prints sprinkled in, and some varsity jackets.

The clothes, mostly in sunny yellow, bright pink and navy, were more surf than sport, which is Adidas' normal niche.

The show was very briefly interrupted by a protester
trying to hand out leaflets about sweatshops.

Beckham back in skimpy bodywear ads for H&M

Beckham back in skimpy bodywear ads for H&M,  photo released by H & M shows soccer star David Beckham on the set of his newest ad campaign for his bodywear collection in Los AngelesDavid Beckham has a knack for keeping his name in the news, and his face — and well-sculpted body — in front of the cameras. The newest ad campaign for his bodywear collection for global retailer H&M is being released on the heels of the announcement that he's joining the French Paris-Saint Germain soccer club.

The ad campaign, directed by Guy Ritchie, is more like a film short. Beckham stars as an action hero, saving the day in Los Angeles in his boxer briefs and bedroom slippers. (Beckham, who was born in London, left Europe to join the Los Angeles Galaxy in 2007.)

Beckham launched a line of undergarments and loungewear in partnership with H&M a year ago, debuting in a Super Bowl ad that featured Beckham in a tank top, boxers and his many tattoos. Over the summer came the next wave of ads, with Beckham in his boxers and a different view of the tattoos.

The 37-year-old Beckham said he's committed to this for the long haul, but is still a little startled looking up at a billboard and seeing a giant version of himself.

"No matter how many campaigns I do with H&M, I will never get used to seeing myself on billboards," he said. "It's always a surprise to me when I see them. I'm lucky to work with such great photographers and stylists, so the images are always the best they can be."

Beckham responded to questions via email to The Associated Press:

AP: Working with Ritchie seems like a little bit of a leap into acting. Is that where you are heading?

Beckham: It's been great working with Guy. He's one of my favorite directors, and also a friend, so it was amazing to work with him on my new Bodywear commercial for H&M. It was good fun playing anaction hero for the day, getting to do all the stunts and ending up in unexpected situations, but acting full-time is not something I see myself doing in the near future.

AP: Is there a movie you wish you could have starred in?

Beckham: I love Guy's film Lock, Stock ('Lock, Stock and Two Smoking Barrels'). It came out in 1998, which was such an exciting time to be British. I remember the attitude and energy of the film as if it were yesterday, and it went on to define so much about how British men saw themselves for years to come. But I wouldn't want to actually appear in the movie — I have too much fun watching it.

AP: What changes have you made to the collection?

Beckham: When we launched the collection, we wanted it to be a range of new classics that men could rely on. We spent 18 months developing the range and working on the product, focusing on fit, comfort and the design details that make for a great piece of bodywear. The core range stays exactly the same, and we add to it only when we feel there's a need for a new piece, like the lounge jerseys and long johns or the morning gown that we added last year. This is a long-term collection, and I'm proud to put my name to it.

AP: With one of your three sons modeling for Burberry (10-year-old Romeo) and at least one seemingly interested in soccer (13-year-old Brooklyn reportedly had a tryout with London club Chelsea), would you encourage them to follow in your footsteps?

Beckham: Like any parent, I just want the best for my kids, whatever they decide to do. They will choose what path they want to follow, and we will always be there to encourage them.

AP: What's the biggest challenge in sticking to your fitness routine?

Beckham: Keeping fit is really important as playing football is all I've ever wanted to do. I'm training a lot at the moment so fitness is an integral part of my day. I think I'd find it more of a challenge if I wasn't able to keep in shape!

AP: New York Fashion Week starts Thursday, and you are often at your wife's shows. (His wife, Victoria, is a former Spice Girl turned fashion designer.) What's it like for you in the front row?

Beckham: Victoria works so hard on her collections, it's just nice to be able to go to the shows and see all that hard work come to life. I'm really proud of her, she gets nervous but it's always a great

Hulk in Space? The possible future of Marvel’s green goliath

Hulk in Space? The possible future of Marvel’s green goliathHulk in Space? The possible future of Marvel’s green goliathNow that the Hulk has smashed alien invaders, puny gods and about half of New York City, is it time for him to take his incredible-ness to another planet?

Mark Ruffalo's nervously nonchalant Bruce Banner (the best Banner since Bill Bixby, hands down) and his suddenly heroic Hulk were two of the best things about "The Avengers," the film that finally got the gamma-rayed behemoth right after Ang Lee's noble failure, "Hulk" (2003), and the film that Marvel Studios really seems to want you to forget, "The Incredible Hulk" (2008). His scene-stealing performance had everyone wondering if we'd be seeing another stand-alone "Hulk" movie -- one that both Marvel and its fans could be proud of.

Marvel Studios President of Production Kevin Feige stated in an interview with MTV last September that there won't be a stand-alone Hulk movie until after "The Avengers 2" (May 2015). He also said that he was a fan of both the "Planet Hulk" and "World War Hulk" comic book storylines and that future film adaptations of those epic yarns certainly aren't out of the question.

"I don't think there's a lot that we couldn't do some day, as the cinematic universe continues to grow and expand and get as big as the comic book universe," Feige said. "'Planet Hulk' is a cool story. 'World War Hulk' is a cool story."

Feige has some reservations about "Planet Hulk," though, as, like its hero, it might just be too big for its own good.

"I think there's pitfalls of continuity-overload, and mythology getting so dense that it almost collapses in on itself," he said. "It happens every few decades or so in the comics. Apart from that, I'd say everything is on the table."

Now, thanks to some detective work by Latino Review, we have news of that material possibly being taken off the table and put in front of cameras sooner rather than later.

As summarized by Collider, the Hulk could be a big star in Marvel's Phase Three, with the third act or at least post-credits scene of "The Avengers 2" setting up the stand-alone Hulk movie. It looks like that film could indeed be an adaptation of Greg Pak's "Planet Hulk," which involves the green one being banished to outer space by the Illuminati, a secret organization of powerful heroes including Tony Stark and Doctor Strange (who's set to be introduced in Phase Three with his own film). Hulk ends up being enslaved on the planet Sakaar, where he's forced to participate in gladiatorial games and eventually becomes a hero of the people and a leader in the rebellion against the corrupt Red King.

Now backed up by an army, the Hulk prepares to return to Earth and exact his revenge. This leads us to "The Avengers 3," which could be an adaptation of "World War Hulk" (also by Greg Pak), in which Hulk and his minions beat the holy hell out of almost every superhero on Earth and force them to fight each other for their own gladiatorial amusement.

Who knows if any of this is true, and either way of course expect Marvel to deny everything. But if any of this is even in just the "discussion" stages, Mark Ruffalo -- who's apparently signed a six-picture deal with Marvel -- must be jumping up and down with joy at the prospect of taking center stage with these (literally) kick-ass plots.

No matter what ends up coming to pass, we're just happy that there will be more Hulk smashing. For now, let's take it one movie at a time, starting with "Iron Man 3" setting off Phase Two on May 3.

Sean Bean in orbit for “Jupiter Ascending”

Sean Bean, the British actor who played Boromir in Peter Jackson's "Lord Of The Rings" trilogy, is going to be working with some filmmakers who have a three-part epic of their own to their credit.

Bean has been announced to join the cast of "Jupiter Ascending," the upcoming project from the sibling writing and directing team of Andy and Lana Wachowski. The Wachowskis previously brought us the "Matrix" franchise (as well as several related video games and online spin-offs), in addition to the more recent "Speed Racer" and "Cloud Atlas."

Bean will be starring alongside Channing Tatum, Mila Kunis, and Eddie Redmayne in the futuristic tale, in which humans are at the foot of the evolutionary ladder, and a menial laborer with the potential to elevate the species finds herself a target of assassination by one of the most powerful women in the Universe.

There's no definitive word yet on Bean's place in the story, but it has been speculated he'll be playing Stinger, a charming rogue with a mercenary streak, much in the manner of Han Solo.

In addition to playing Boromir, the versatile Bean also appears on the series "Game Of Thrones" as Eddard Stark, as well as starring as Paul Winstone on "Missing." Bean rose to fame in the UK with a series of made for television films based on Bernard Cornwell's Richard Sharpe novels, which followed the adventures of a 19th Century rifleman. With Bean on board, "Jupiter Ascending" moves closer to its start date, with an anticipated release date in 2014.

'Star Wars' reboot director Abrams speaks in Vegas

If the force is with die-hard fans, J.J. Abrams will give away a few clues to his vision for the seventh live-action "Star Wars" film.

The acclaimed science-fiction filmmaker is expected to give an opening talk Wednesday at an annual video game industry conference in Las Vegas.

Abrams has become a trusted steward of beloved fantasy universes after his well-received additions to the "Star Trek" and "Mission: Impossible" franchises.

"Star Wars" creator George Lucas facilitated the latest round of "Star Wars" spin-offs when he sold his Lucasfilm empire to The Walt Disney Co. for $4.05 billion last fall.

"Episode VII" is due out in the summer of 2015.

Abrams is expected to discuss multiplatform storytelling with Valve president Gabe Newell at the Design, Innovate, Communicate, Entertain Summit at the Hard Rock Hotel & Casino.

Have Mercy! Jennifer Lawrence Reveals Hollywood Crush

Like many little girls growing up in the 90’s, Jennifer Lawrence had a massive crush on Uncle Jesse from “Full House.” And it sounds like John Stamos still makes the 22-year-old Oscar nominee weak in the knees!

J-Law spilled all the deets on her obsession with the TV hunk on “Conan” Tuesday night, saying, "He was at a party, and I turned into a perverted guy, I was like following him into rooms.” The “Silver Linings Playbook” bombshell added that she started “freaking out” when she was forced to introduce herself. It got pretty awkward! But, thankfully, that’s all the past for the charming actress.

Check out the vid to find out more about the odd encounter and to hear John Stamos’ response to her shout-out on “Conan!”

Laurie Holden On The Return Of The Walking Dead: 'Something's About To Get Ugly!'

"The Walking Dead" left viewers with an incredible cliffhanger at the end of 2012, when the first half of Season 3 ended with The Governor revealing the Dixon brothers will face off in the zombie boxing ring in Woodbury.

It was pretty shocking for both Merle (Michael Rooker) and Daryl (Norman Reedus), who were also seeing each other for the first time in many, many months (only to find out it could be the last time!). But, equally mortified in that moment was the woman who had developed feelings for Woodbury's leader The Governor - Andrea.

According to actress Laurie Holden, who plays the strong female character (with bad taste in men), Andrea is going to be shaken as the season picks up this Sunday with the midseason premiere, kicking off at 9 PM on AMC.

On the red carpet at "An Evening with The Walking Dead" event, presented by the Academy of Television Arts & Sciences in North Hollywood on Tuesday, Laurie told AccessHollywood.com what's to come on the show. She also tackled the question her super fans have been curious about, ever since they saw her get dressed, following one of Andrea's bedroom romps with The Governor in the first half of the season.

AccessHollywood.com: The big question, Laurie, is - and you had to answer this on Twitter - where did Andrea get the [lacey] underwear from?

Laurie Holden: (Laughs) OK, here's the deal. You can't win, because if I had granny panties, everybody would just be like, 'Oh my God, she's got granny panties!' or if I had holes in them, they'd be like 'Oh my God, she has no hygiene.' You can't win.... That was not my decision -- there is a costume designer and that is her area of expertise, but part of the allure of Woodbury is that it's like a town where the apocalypse never happened. So, they still have access to things that we didn't. And The Governor and his men, they probably raided stores. 'Cause [there are] still shopping malls. The zombies didn't take thongs! So, there was, maybe a little welcome package for me in my apartment.

Access: How does Andrea feel now that she's seen a different side of The Governor - Philip?

Laurie: (Takes a deep breath.)

Access: He's cute, but he's a little psycho.

Laurie: Well, you know, psycho's not cute. I think her world's exploding. I think this is the worst nightmare ever... second to the apocalypse. All she wanted was a community and a sense of normalcy and, another thing with the whole Andrea-Michonne thing, a lot of people think that Andrea deserted Michonne. They both were strong women that made choices, and Michonne wanted to go out, I wanted to stay, but nobody abandoned the other person. And, it wasn't about choosing a guy over Michonne, Andrea just wanted a normal life and she didn't want to be on the road any more. There's that expression, 'If it's too good to be true, it is,' and I think that's the case. I think she's beginning to realize that everything she thought was a miracle and a nirvana and heaven is actually a sliver of hell.

Access: Your character is there when Merle and Daryl are in the ring together - what can you hint at about that closing scene [from] when we last saw 'The Walking Dead'?

Laurie: Well, it's gonna pick up from there and she's absolutely mortified because she's spoken to The Governor about her friends on the farm and he knows their names and I've told them all about them, so the very fact that he has taken Merle's brother -- and I can't give anything away -- but something's about to get ugly, obviously. It's more than a betrayal, it's like, 'This is my friend! You know this is my friend!' like, 'Why are you doing this?' which is a whole other side of his craziness that she's opening her eyes to.

Selasa, 05 Februari 2013

Test-driving the world’s smallest car

If you’ve ever wondered how much further auto manufacturers could go with small economy vehicles like the Smart car, we may have your answer.
On the new season of "Top Gear," host Jeremy Clarkson pokes fun at the microcar craze by test-driving what he calls the “world’s smallest car,” the P45 (British slang for a “pink slip”), which he also sarcastically refers to as the “hybrid death trap.”
Through most of the video clip, Clarkson, while screaming in fear, is clearly having a laugh with the tiny vehicle. At one point a long line of cars is behind him, unable to pass the slow-moving vehicle, and he says, looking ahead at the empty road, “I can’t believe how quiet these roads are this morning. I’m hardly seeing any traffic at all.”
Still, there are a few moments when it seems like a good idea to cruise around in a 100cc “car." For example, when Clarkson finds himself caught in a traffic jam, he simply weaves around the idle vehicles and carries on, much like with motorcycle “lane-splitting” laws in California. The P45 may top out at around 21 mph, but that’s still a lot faster than not moving at all.
Another advantage: When Clarkson pulls the P45 into a gas station to fill its 1.7-liter tank, he doesn’t have to exit the vehicle. Of course, he dryly notes, the station has a minimum 2-liter refill policy.

Giggling woman flips judge the bird, judge not amused

Never mess with people who have the power to make your life miserable. That includes DMV employees, waiters and baggage handlers. And judges. Especially them.
A Miami woman facing drug charges made her situation much worse when she laughed at and then flipped off the man with the gavel. File this case under: Ill advised.
According to NBC Miami, 18-year-old Penelope Soto was in court for charges relating to possession of Xanax, a prescription drug. Judge Jorge Rodriguez-Chomat was in the process of setting her bond. He asked Soto about the value of her jewelry. Soto laughed. That was strike one.
"It's not a joke, you know, we're not in a club now," Rodriguez-Chomat said. "We are not in a club. Be serious about it."
Soto replied: "I'm serious about it, you just made me laugh. You just made me laugh, I apologize. It's worth a lot of money."
The judge said, "Like what?" Soto compared the jewelry to a wealthy rapper. She replied that the jewelry is "like Rick Ross. It's worth money."
The perplexed judge asked if Soto had taken drugs within the past 24 hours, to which she answer, "Actually, no." The judge then set Soto's bond at $5,000 and said, "Bye-bye." Soto chuckled and said, "Adios." Strike two. The judge summoned her back and raised the bond to $10,000, eliciting gasps from those in the courtroom.
Soto asked if the judge was serious. Judges are not known for their humor, and Rodriguez-Chomat is no exception. "I am serious," he said. "Adios."
But Soto wasn't done. Instead of leaving the courtroom she flipped Rodriguez-Chomat the bird and said "F*** you." And that was strike three. Soto was again called back and then sentenced to thirty days in the big house for contempt of court.

Zimmerman Loses Bid to Delay Trial

On what would have been Trayvon Martin's 18th birthday, lawyers for his accused killer George Zimmerman were denied a request to delay this summer's murder trial.
Zimmerman's attorney Mark O'Mara claimed during an often heated one-hour hearing that he needed more time to prepare, and that the state was not being cooperative with key evidence.
"Its February and the trial's set for June," countered prosecutor Bernie de la Rionda.
He argued that O'Mara did not deserve more time to prepare and that many of the delays were his own fault. The state has argued that the Zimmerman legal team is moving slowly because of a dwindling defense fund. Zimmerman's attorneys have acknowledged that the fund is just about empty.
"The spirit of Trayvon Martin was definitely in the courtroom today on what would have been his 18th birthday. The judge ruled that the trial would not be delayed," Martin family attorney Benjamin Crump said today.
Martin, 17, was shot and killed while walking home unarmed on Feb. 26, 2012, from a deli near his father's fiancee's house. Zimmerman, a neighborhood watch captain, has claimed the unarmed teen was acting suspicious and that he shot the teenager during a fight when the boy tried to get Zimmerman's gun.
The case had inflamed emotions in Sanford, Fla., where it occurred and the trial is also expected to be emotional.
A heavier Zimmerman looked on as Circuit Judge Debra Nelson noted that both sides had agreed earlier that they would be ready by June 10 when the trial is slated to start and that O'Mara's issues can be fixed in time.
Besides the motion to delay the trial, most of the remaining proceedings centered around a teenage girl identified so far only as witness 8. Phone records show she was on the phone with Martin moments before the unarmed teen crossed paths with Zimmerman. Her testimony may prove crucial as a jury tries to determine who was the aggressor in the deadly altercation.
O'Mara argued that the state is withholding information related to the teen's phone and how data on it was downloaded. The judge ordered the state to pass on all information concerning how the phone was tested and handled.
Zimmerman's defense was also seeking to depose Crump later today. Crump was the first person to find and interview the teen, who says she told Martin to run after he complained about Zimmerman watching him as he walked to his father's girlfriends home on the night of his death. However, Crump's attorney argued that a deposition was improper because Crump was not a witness in the case, and that he had already filed a 15-page affidavit detailing how he found her and that should be enough. The judge asked for time to review the affidavit before determining if he would have to give a deposition.
The summer trial start will leave both sides scurrying to finish depositions, scrub social media for more information into who the key players may have been, as well as plan for an all-important stand your ground hearing. Zimmerman's team will argue that he shot and killed Martin in self defense after the teen lashed out at him and pummeled his head on the ground. If the judge finds that there is enough evidence indicating that Zimmerman felt threatened than the entire case will be thrown out under Florida's stand your ground law.
Outside of the Seminole County courthouse, about 20 supporters of Trayvon Martin gathered around a framed photo of the Miami teen with black balloons to sing, pray, and commemorate the 18th birthday. His parents did not attend today's hearing. O'Mara made note of the solemn occasion saying, "No matter what, a tragedy occurred."
Remembrances are planned today throughout the town of Sanford, Miami where the teen grew up and throughout the country. In a possible sign of healing of the events planned, an anti-gun rally in a historically black Sanford neighborhood, is being sponsored by both the Sanford Police Department and the NAACP. The joining of both sides behind one common bond would have seemed almost unthinkable in the early spring of 2012 as thousands descended upon the city claiming that the Sanford PD was embroiled in a cover-up and alleging misconduct because Zimmerman had yet to be arrested.

NFL: Beyonce's explosive show didn’t blow Super power

Everyone from football fans to a former NFL great had pinned the Super Bowl blackout on the “Single Ladies” star’s fierce halftime performance.

“Beyoncé literally killed it at the Super Bowl,” tweeted late-night host Jimmy Fallon.

Even her husband, rap mogul Jay-Z, couldn’t deny that Beyoncé’s show — which involved a sparkler-spewing guitar, actual fire, and plenty of special effects — may have been too hot to handle for the grid.

“Lights out!!! Any questions??” he tweeted once half of the New Orleans Superdome went dark.
But NFL Commissioner Roger Goodell and local utility officials insisted the outage wasn’t her fault.

And an Oct. 15 memo prepared for the Louisiana Stadium & Exposition District says tests on Superdome electrical feeders showed they had “some decay and a chance of failure.”

Entergy New Orleans, which supplies the stadium with power, and the structure's engineering staff “had concerns regarding the reliability of the Dome service from Entergy’s connection point to the Dome,” the memo says.

Plus, stadium brass noted, the halftime show was powered by generators, not the in-house system.

That didn’t stop the rumor mill.

“Beyoncé blew the electric in the Superdome twice, I’m told, during her rehearsals during the week,” ex-NFL QB Boomer Esiason said on his WFAN radio show yesterday.

The controversy over the 34-minute outage did nothing to dim Beyoncé’s star power, evident in a dynamic performance that helped erase memories of her lip-syncing at President Obama’s inauguration.

After the show, Beyoncé’s makeup artist snapped a tender shot of her hugging Jay-Z backstage, and posted it on Instagram.

And she was just relieved that the show itself went off without a glitch.

“All the hard work, five months of preparation and it was really great,” Beyoncé told “Extra.”

“So beautiful, it really was a magnificent night for me and the girls.”

The diva also released dates for her “Mrs. Carter Show World Tour”: It begins on April 15 in Belgrade, Serbia, and ends on Aug. 3 at Brooklyn’s Barclays Center.

Tactics for Getting the I.R.S. on the Phone

If you need help with a federal tax question, the Internal Revenue Service offers free, live assistance by telephone. But you’ll probably need to be patient when you call.

Wait times when calling the agency have been growing, according to a recent report from the Government Accountability Office.

Millions of people call the IRS each year. Last tax season, the average wait time to speak to a live representative was 17 minutes, up from 12 minutes in 2011, the G.A.O. found.

And the percentage of callers seeking live assistance who actually received it was 68 percent, down from 72 percent the year before. The number of abandoned calls, which means the caller hangs up before speaking to someone, rose 20 percent.

The agency also has been slower to respond to mail. Of the 21 million pieces of paper correspondence the agency received in 2012, about 40 percent were considered “overage,” meaning that the I.R.S. did not respond within 45 days of receipt.

The dwindling service is the result of inadequate funding, according to a report by the National Taxpayer Advocate, the office charged with representing the interest of tax payers in dealing with the I.R.S. “The decline in these key measures is deeply disturbing,” the advocate’s annual report said, noting that telephone calls and correspondence are the two main ways taxpayers communicate with the I.R.S..

“Few government agencies or businesses would be satisfied if their customer service departments were unable to answer three out of every 10 calls,” the report added, “nor would they be content if nearly half of all correspondence took more than 6 1/2 weeks to answer.”

I called the toll-free number on Wednesday afternoon, on the first official tax filing day of the year, to see how long it would take to talk to someone. An operator answered the call quickly, but transferred me to another line, where a recorded voice told me my estimated wait time would be 10 to 15 minutes. I waited 14 minutes, according to the clock on my computer, before I was connected to a representative. That’s better than average, but still a fair bit of time spent on hold.

It’s not clear if there’s any best day of the week, or time of day, to call the toll-free number. The line, (800) 829-1040, is staffed from 7 a.m. to 7 p.m., in all time zones in the United States.

Before I ended the call, I asked the I.R.S. representative if she could recommend the best time of day to telephone the agency, to get the shortest wait time. She suggested calling early in the morning.

An I.R.S. media spokesman didn’t respond to requests for suggestions about the best time to call, although he e-mailed some links to the agency’s Web site that provided a list of walk-in offices where you can go in person to get help.

Bonnie Speedy, vice president of the AARP Foundation Tax-Aide and a former member of the I.R.S. Advisory Council, suggests avoiding Mondays, particularly first thing in the morning, when call volumes are typically heavy. Calls are routed depending on the complexity of the question, so a call seeking help with a technical tax matter will likely take longer than a simple inquiry about, say, when you can expect your refund check. (The foundation offers free tax preparation for low-to moderate-income taxpayers, especially those 60 and older, at nearly 6,000 locations.)

The tax-filing Web site Taxbrain advises that people call the I.R.S. Tuesday through Thursday and suggests avoiding 8 a.m. to 9 a.m., and 4 p.m. to 5 p.m., in all time zones. It also helps to be polite and have any relevant documents handy when you call.

@nytimes.com

Justice Dept. document justifies killing Americans overseas if they pose ‘imminent threat’

This October 2008 photo shows radical American-Yemeni Islamic cleric Imam Anwar al-Awlaki in Yemen. Awlaki, an American, was killed in an U.S. drone strike in Yemen in September 2011., Justice Dept. document justifies killing Americans overseas if they pose ‘imminent threat’The United States can lawfully kill a U.S. citizen overseas if it determines the target is a “senior, operational leader” of al-Qaeda or an associated group and poses an imminent threat to the United States, according to a Justice Department document published late Monday by NBC News.

The document defines “imminent threat” expansively, saying it does not have to be based on intelligence about a specific attack since such actions are being “continually” planned by al-Qaeda. “In this context,” it says, “imminence must incorporate considerations of the relevant window of opportunity” as well as possible collateral damage to civilians.
It says that such determinations can be made by an “informed, high-level official of the U.S. government.”

NBC said the document was provided by the Obama administration last summer to members of the Senate Intelligence and Judiciary committees as a summary of a classified memo on targeted killings of U.S. citizens prepared by the Justice Department’s Office of Legal Counsel.

The memo was written months prior to a September 2011 drone strike in Yemen that killed Anwar al-Awlaki, a U.S.-born Muslim cleric accused of helping al-Qaeda’s Yemeni affiliate plan attacks against the United States. Three other Americans, including Awlaki’s 16-year-old son, have also been killed in U.S. strikes in Yemen.

The Obama administration, in decisions upheld in federal court rulings, has repeatedly denied demands by lawmakers, civil rights groups and the media to release the memo and other information on targeted killings — or even to acknowledge their existence. Senators are expected to closely question John O. Brennan, President Obama’s chief counterterrorism adviser, on drone strikes, the memo and the Awlaki killing during Brennan’s confirmation hearing Thursday on his nomination to become Obama’s new CIA director.

Justice officials could not be reached for comment on the document, which NBC posted on its Web site. The 16-page document is titled “Lawfulness of a Lethal Operation Directed Against a U.S. Citizen Who Is a Senior Operational Leader of al-Qaeda or An Associated Force.”

In announcing Awlaki’s death, Obama described him as the leader of “external affairs” of Yemen-based al-Qaeda in the Arabian Peninsula.

The American Civil Liberties Union on Monday night called the document a “profoundly disturbing” summary of “a stunning overreach of executive authority — the claimed power to declare Americans a threat and kill them far from a recognized battlefield and without any judicial involvement before or after the fact.”

The ACLU sought the original Justice Department memo as part of a case dismissed last month by a federal judge in New York. Last Friday, the ACLU filed a notice of appeal in that case.

“Needless to say, the white paper is not a substitute for the legal memo. But it’s a pretty remarkable document,” ACLU Deputy Legal Director Jameel Jaffer said.

‘Beyond reasonable doubt,’ bones are the remains of England’s King Richard III

‘Beyond reasonable doubt,’ bones are the remains of England’s King Richard IIIA team of archaeologists confirmed Monday that ancient remains found under a parking lot belong to long-lost King Richard III, successfully ending a search that sparked a modern-day debate about the legacy of the reputed tyrant.

Details of the findings were released hours after DNA tests came in late Sunday. The 500-year-old remains were discovered five months ago, using ancient maps and records to uncover the ruins of the old friary where Richard III was laid to rest.
“It is the academic conclusion of the University of Leicester that beyond reasonable doubt, the individual exhumed at Greyfriars in September 2012 is indeed Richard III, the last Plantagenet king of England,” Richard Buckley, lead archaeologist of the University of Leicester, said at the announcement Monday in the city 90 miles northwest of London.

The verification came after scientific tests were used to match DNA samples taken from Canadian-born Michael Ibsen, a direct descendent of Anne of York, Richard’s elder sister.

“For me it’s an absolute privilege to be a part, even in a small way, of such a historically significant series of events,” said Ibsen, a furniture-maker in London.

The debate that has risen out of this finding has provoked the nation to rethink the legacy of Richard III, cast in British history by Shakespeare as a deformed villain, who locked his young nephews — rivals to the throne — in the Tower of London, where they are thought to have met their demise.

Richard III’s grave, which was found underneath the Leicester site in the remains of Greyfriars friary, had been lost during the religious reforms of Henry VIII. Richard, the last king of England to fall on the battlefield, was slain in the 1485 Battle of Bosworth Field while defending his crown against the raiding upstart, Henry VII. He was famously depicted in Shakespeare’s “Richard III” crying out before his death: “A horse! A horse! My kingdom for a horse!”

Richard III supporters such as Philippa Langley, a screenwriter and member of the Richard III Society, were driven to find the lost king’s remains by a desire to reopen the debate over his place in history. Experts say that most of what is known today about the medieval king is largely “propaganda” of the Tudor monarchs who followed him.

“I think the discovery brought the real Richard into sharp focus,” Langley said. “People are realizing that a lot of what they thought they knew about Richard III was pretty much propaganda and myth building.”

Langley, who helped pull together $52,000 to fund the project, worked with a team of archaeologists at Leicester University who were able to locate the hidden monastery and Richard’s remains.

When archaeologists uncovered the skeleton of a man in what was once the choir of the Greyfriars Church — exactly where texts said the monarch was buried — the evidence was so compelling that Langley believed the remains were those of King Richard.

From the time the bones were found, there was strong evidence to suggest the remains belonged to the monarch. The skeleton indicated a personage who was well nourished, who had suffered cranial trauma during battle and who exhibited spine damage from scoliosis, a type of curvature of the spine — all signs that pointed to Richard III. @ washingtonpost.com

Senin, 04 Februari 2013

'Abnormality' caused Super Bowl power outage

The Super Bowl turned into Blackout Sunday.

The biggest game of the year was halted for 34 minutes because of a power outage, plunging parts of the Superdome into darkness and leaving TV viewers with no football and no explanation why.

The Baltimore Ravens were leading the San Francisco 49ers 28-6 when most of the lights in the 73,000-seat building went out with 13:22 left in the third quarter Sunday night.

About two hours after the game, won by the Ravens in a 34-31 thriller, officials revealed that an “abnormality” in the power system triggered an automatic shutdown, forcing backup systems to kick in. But they weren’t sure what caused the initial problem.

New Orleans Mayor Mitch Landrieu called the power outage “an unfortunate moment in what has been an otherwise shining Super Bowl week for the city of New Orleans.”

“In the coming days, I expect a full after-action report from all parties involved,” he said.

Auxiliary power kept the playing field from going totally dark, but escalators stopped working, credit-card machines shut down, and the concourses were only illuminated by small banks of lights tied in to emergency service.

Most fans seemed to take the outage in stride, even starting up the wave to pass the time.

“So we had to spend 30 minutes in the dark? That was just more time for fans to refill their drinks,” said Amanda Black of Columbus, Miss.

A joint statement from Entergy New Orleans, which provides power to the stadium, and Superdome operator SMG shed some light on the chain of events, which apparently started at the spot where Entergy feeds power into the stadium’s lines. The problem occurred shortly after Beyonce put on a halftime show that featured extravagant lighting and video effects.

“A piece of equipment that is designed to monitor electrical load sensed an abnormality in the system,” the statement said. “Once the issue was detected, the sensing equipment operated as designed and opened a breaker, causing power to be partially cut to the Superdome in order to isolate the issue. ... Entergy and SMG will continue to investigate the root cause of the abnormality.”

The FBI quickly ruled out terrorism, and the New Orleans Fire Department dismissed reports that a fire might have been the cause.

Auxiliary power kept the playing field and concourses from going totally dark.

On the CBS broadcast, play-by-play announcers Jim Nantz and Phil Simms went silent. Sideline reporter Steve Tasker announced to viewers a “click of the lights” as the problem. Later, the halftime crew anchored by host James Brown returned to fill the time with football analysis. Brown said a power surge caused the outage.

“We lost all power up here at the press box level,” Nantz said after power was restored. He and Simms were off the air for most of the outage.

The failure occurred shortly after Jacoby Jones returned the opening kickoff of the second half for a 108-yard touchdown, the longest play in Super Bowl history and pushing the Ravens to a commanding lead. But when play resumed, the momentum totally changed.

The Niners scored two straight touchdowns and nearly pulled off a game-winning drive in the closing minutes. They had first down inside the Ravens 10, but Baltimore kept them out of the end zone to preserve the victory.

The blackout, it turned out, became more of a footnote than a spark to what would have been the greatest comeback in Super Bowl history.

“It just took us longer to lose,” moaned San Francisco linebacker Ahmad Brooks.

No one could remember anything like this happening in the title game, but it wasn’t unprecedented.

Just last season, the Niners endured two power outages during a Monday night game against the Pittsburgh Steelers at Candlestick Park.

“I didn’t know what was going on,” San Francisco safety Dashon Goldson said. “I just tried to keep my legs warmed up.”

The Ravens felt the delay turned what looked like a blowout into a close game.

“It really hurt us. We had lot of momentum,” fullback Vonta Leach said. “We were rolling. That 35- or 40-minute wait, whatever it was, hurt our momentum as far as what we were trying to do. But we came out on top and that’s all that matters.”

Safety Ed Reed said some of his teammates were worried that the game would turn when the lights came back on.

“The bad part is we started talking about it,” he said. “Some of the guys were saying, ’They’re trying to kill our momentum.’ I was like, ’There’s two teams on the field.’ But once we started talking about it, it happened. We talked it up.”

The public address announcer said the Superdome was experiencing an interruption of electrical service and encouraged fans to stay in their seats. Players milled around on the sidelines, some took a seat on the bench, others on the field. A few of the Ravens threw footballs around.

Officials gathered on the field and appeared to be talking to stadium personnel. Finally, the lights came back on throughout the dome and the game resumed.

“Let’s go!” referee Jerome Boger said to the teams.

The NFL said stadium officials were investigating the cause.

“We sincerely apologize for the incident,” Superdome spokesman Eric Eagan said.

Once the game resumed, CBS said all commercial commitments for the broadcast were being honored. The network sold out its allotment of advertising at $3.8 million per 30-second spot.

“We lost numerous cameras and some audio powered by sources in the Superdome,” said Jennifer Sabatelle, vice president of communications for CBS Sports. “We utilized CBS’ backup power and at no time did we leave the air.”

The outage provided a major glitch to what has largely been viewed as a smooth week for New Orleans, which was hosting its first Super Bowl since 2002 and was eager to show off how the city has rebuilt since Hurricane Katrina.

Monique Richard, who is from the north shore of Lake Pontchartrain, had tickets in the upper deck.

“My exact words on the way over here were, ’I hope this goes off without a hitch,’ because the city just looked so good, they were doing so well, the weather so good everything was kind of falling into place,” she said.

New Orleans was once a regular in the Super Bowl rotation and hopes to regain that status. Earlier in the week, the host committee announced it will bid on the 2018 Super Bowl, which would coincide with the 300th anniversary of the city’s founding.

The 38-year-old Superdome has undergone $336 million in renovations since Katrina ripped its roof in 2005. Billions have been spent sprucing up downtown, the airport, French Quarter and other areas of the city in the past seven years.

“Everything shut down,” said Carl Trinchero, a 49ers fan from Napa, Calif., who was in the Superdome. “No credit cards, vending machines shut down, everything shut down.”

Trinchero said it may have affected the momentum of the game but, given that the Ravens survived the 49ers comeback, “it didn’t affect the outcome.”

Joked Doug Cook, a Ravens fan from New Orleans: “They didn’t pay the light bill.”

Still, he admitted to a fleeting fear when the lights went out.

“I started thinking it was a terrorist attack. I was a little nervous,” he said.

In the French Quarter, fans didn’t appear much concerned with the power outage or delay in play.

“If we can blame Beyonce for lip syncing, we can blame her for the power outage,” said Gary Cimperman of Slidell, La., with a laugh as he watched the second half of the game from a bar. “Or maybe Sean Payton called in the outage, bountygate part two.”

Beyonce electrifies in fast-paced halftime show

Beyonce electrifies in fast-paced halftime showThe force of nature that is Beyonce answered any and all questions about her commitment to authenticity with a dynamic Super Bowl XLVII halftime performance that apparently sucked all of the power out of the the Mercedes-Benz Superdome in New Orleans.

The R&B superstar, clad in a brief, black-leather outfit by little-known New York designer Rubin Singer (with boots by Proenza Schouler), opened with a brief medley of Love On Top, which led into 2003 smash Crazy In Love.

The opening salvo put to rest the now seemingly minor flap over her using a pre-recorded track of the national anthem for President Obama's second inauguration. (If anything, the audience in the cavernous, acoustically challenged dome might have benefitted from pre-recorded tracks in this instance.)

The singer, who practiced with her band and dancers for several days this week under a vast tent space along the banks of the Mississippi River, looked polished and poised throughout as she strutted around a neon-rimmed stage, with the lights forming two facing profiles of her. A troupe of similarly clad all-female dancers mimicked her moves for End of Time and Baby Boy, then her producers pulled out visual tricks, including holograms and kaleidoscopes, that quadrupled her power.

The long-rumored reunion with former Destiny's Child mates Kelly Rowland and Michelle Williams materialized to a joyous reception as they launched into the group's hits Bootylicious and Independent Woman, and Beyonce's solo smash Single Ladies (Put a Ring on It). Short and sweet, the regrouping was a highlight.

At least 8 dead, more than two dozen injured in tour bus crash

At least 8 dead, more than two dozen injured in tour bus crashAt least eight people were killed Sunday night and more than two dozen injured when a tour bus crashed on a dark and narrow mountain road near Yucaipa, authorities said.

The accident, which involved a collision between the bus, a truck and a sedan, took place about 6:30 p.m. on California 38 just east of the town of Mentone on a route that leads to the Big Bear resort area, authorities said.

Some people were ejected from the bus, while others were trapped inside. Because of the severity of the accident, it was difficult for rescue workers to immediately idenfity exactly how many people were killed.

California Highway Patrol Spokesman Mario Lopez said that all of the known fatalities appeared to come from the bus, which was a charter carrying 38 passengers, including children and one driver.

Firefighters set up a triage area on the ground next to where the big white bus had come to rest, as rescuers from at least eight different agencies worked to stabilize and transport the wounded.

It took firefighters more than two hours to extricate all the injured people from the bus. Twenty-seven people in all were transported to area hospitals, at least six of them in critical condition, officials said. Some of the injured were children.

The cause of the accident was unknown, said Eric Sherwin, a spokesman for the San Bernardino County Fire Department.

“Investigation into the cause hasn’t even begun, because patient treatment and transport takes priority,” Sherwin said.

The name of the bus company and information about the victims were not immediately available.

Herbert Atienza, a spokesman for Loma Linda University Medical Center, said the hospital received four victims from the crash -- two adults and two children. One adult and one child are in critical condition, he said. Atienza said no more information about the victims was available.

“We’re expecting more people from the crash,’’ he said Sunday evening.

‘Iron Man 3′: Super Bowl spot leads pack of Disney’s latest Marvels

How many Iron Men does it take to save 13 people plummeting earthward after a plane breaks apart in midair? Granted, it’s kind of a trick question, seeing as how there is only one Tony Stark, but the passengers’ plight made for a gripping Super Bowl teaser touting the May 3 release of “Iron Man 3.”


Although “Kiss Kiss Bang Bang” director Shane Black’s first entry in the Marvel series looks heavy on the action, the Robert Downey Jr. vehicle wasn’t the only upcoming blockbuster to get airtime during the big game, with new spots debuting for “Star Trek Into Darkness,” “World War Z” and “Snitch,” among other films.

In all, Disney promoted three of its new releases, with “The Lone Ranger” and “Oz: The Great and Powerful” joining “Iron Man 3″ as part of the promotional onslaught.

With its charging horses, chugging trains, wide-open vistas, silver bullets — Gore Verbinski’s “The Lone Ranger,” set to open July 3, has all the hallmarks of the Old West adventure series, plus a couple of very modern updates: Johnny Depp as Tonto and Armie Hammer as the masked Texas ranger.

Depp’s unusual makeup alone is surely worth the price of admission.

James Franco stars as would-be wizard Oscar Diggs in “Oz: The Great and Powerful,” Sam Raimi’s quasi-prequel to the classic “The Wizard of Oz.” The technicolor wizardry employed to craft the land beyond the rainbow — a place populated by fantastical creatures and comely witches, Theodora (Mila Kunis), Evanora (Rachel Weisz) and Glinda (Michelle Williams) — will be interesting to behold on the big screen once the film opens March 8.

Beyoncé Silences Doubters With Intensity at Halftime

A main requirement for a halftime performer at the Super Bowl is indestructibility. Too much is on the line for anything but. The halftime show is time-constrained, highly choreographed and responsible for keeping hundreds of millions of people around the world entertained between aggressive bursts of football and extremely expensive bursts of commercials. It is a show, but more important, it is the glue that holds the night together, the short money that keeps the long money flowing.
But there was no way to anticipate that the reliably malfunction-free Beyoncé arriving in New Orleans for her turn at immortality would be a vulnerable one. At the presidential inauguration ceremony last month, she sang the national anthem over a prerecorded vocal track, leading to a minor scandal, putting her on the defensive. Beyoncé, bionic, isn’t used to having her reputation impugned. Vulnerability is not her bag,

She is, though, up to the challenge — in this case, the conundrum of how to make her Super Bowl XLVII halftime show, which she had been planning for months, not only a spectacle in its own right, but also a conclusion to the messy affair.

And so for 12 or so minutes at the center of the Superdome field on Sunday night, she balanced explosions and humanity, imperiousness with warmth, an arena-ready sense of scale with a microscopic approach to the details of her vocals. Amid all the loudness were small things to indicate Beyoncé was answering her skeptics, quietly but effectively.

First, there was the voice, or rather, the myriad voices. After emerging on stage accompanied by a Vince Lombardi speech — “The spirit, the will to win and the will to excel, these are the things that endure,” and so on — she played with “Love on Top” like Play-Doh, stretching out some parts, tearing off little bits here and there, switching from fast to slow, all more or less a cappella.

At the end of “Crazy in Love,” she was virtually growling, giving that song a ferocity it has never before had. During “Baby Boy,” she maniacally screamed “dutty wine!” over and over again, and on “Single Ladies (Put a Ring on It),” her voice turned grimy, burrowing into primal Bessie Smith territory.

What’s more, she filled the television screen, a human pneumatic drill of intensity, constantly bouncing and whirring. This is part of what set her apart from some past performers, whose songs were big enough, but whose attitude and presentation weren’t. At the beginning of “Crazy in Love,” she dropped to one knee, then sprawled on her back, continuing her choreography for the cameras in the sky.

She opened “End of Time” with ferocious stomping, flailed madly during “Single Ladies” and, during “Baby Boy,” was accompanied by a screen full of Beyoncés, arranged in careful placement like a Vanessa Beecroft installation.

Beyoncé’s image-restoration campaign actually began days before the game. On Instagram and Tumblr, she posted photos of casual moments between what were certainly strenuous rehearsals, including one in which she wore a sweatshirt that read “Can I live?” On Thursday, she divebombed into her official news conference with a sterling rendition of the national anthem, for which she made the accumulated reporters and photographers stand at attention and which she concluded with the primo dirt-off-her-shoulder taunt, “Any questions?” (Maybe just one. Regarding the inauguration, one brave, or comic, journalist asked, “Did any sound come out of your vocal cords?”)

These are Beyoncé’s little pokes. She’s not the sort to resort to vulgarity, or subversion, or insubordination. She retaliates with intensity and fervor, and the sort of wink that doesn’t invite a reply.

Her show was never going to be scandalous, even if a scandal was hovering over it. Certainly she would never be as risqué as Prince, who played in 2007, and who she said was her favorite halftime performer in an interview with the NFL Network. She would never risk a malfunction, wardrobe or otherwise, that would recall the Janet Jackson-Justin Timberlake imbroglio of 2004.

(That year, Beyoncé happened to sing the national anthem at the Super Bowl in her native Houston, when Destiny’s Child was still a going concern, and she had yet to arrive fully into her mojo.)

The most uncertainty she allowed was the will-they-or-won’t-they chatter about a Destiny’s Child reunion during her set, although by showtime, it was clear it was happening. Late in her set, Beyoncé was joined by Kelly Rowland and Michelle Williams, her former sidekicks, for snippets of “Bootylicious” and “Independent Women Part I.”

Rowland and Williams then helped Beyoncé out on “Single Ladies.”

This was not only an act of generosity to her former group mates, and a bone thrown to longtime fans, but also a tacit admission that Beyoncé’s biggest hits as a solo artist — excluding “Single Ladies” and “Crazy in Love” — don’t have the caffeinated quality that makes for great halftime entertainment.

Destiny’s Child’s best songs were their most energetic, and the pyrotechnics the threesome had — both in harmonies and in the actual fire surrounding them on stage — were impressive. (Thankfully, they skipped the deeply temperate “Nuclear,” the first new Destiny’s Child recording in eight years, which was released last month.)

After Rowland and Williams left the stage, Beyoncé brought the arena to a hush with “Halo,” the ethereal ballad that closed her set.

Her voice sounded just a tad deflated here, but by design. After 10 minutes of extravaganza, she wanted to leave with something tactile.

Beyoncé the machine had made her point. This was proof of life.

Minggu, 03 Februari 2013

Beyoncé Didn’t Need To Sing At Super Bowl Press Conference, Did Lil Wayne Cut His Dreads?

 

Beyoncé Didn’t Need To Sing At Super Bowl Press Conference, Did Lil Wayne Cut His Dreads?

The Aftermath, the best music discussion on the ‘net, could not have asked for a better week of music news, and Pittsburg, Cali rapper A-Wax sits in with Sofen Baker and me to offer hilarious commentary.

Beyoncé shut down haters at the Super Bowl press conference Thursday by singing the National Anthem live, a cappella, proving she could do so without lip-synching. The Aftermath thinks Baddiebey didn’t have anything to prove.
We also take on the topic of Lil Wayne’s dreads. After playing a Super Bowl pre-show, reports emerged that the New Orleans rapper cut his hair. The photo that circulated the Internet looks legit, but is it? Is it a bad idea for Wayne to cut off his trademark locks?
And man oh man, we have beef with Whitney Houston’s brother, Michael Houston, who admitted to Oprah Winfrey that he was the one who introduced his sister to crack. For years, Whitney’s ex Bobby Brown has taken the wrap? Can somebody get The King Of R&B some type of exoneration?
Folks, we know you have opinions on these topics. Speak your mind in the comment section and reach out to use via our social media accounts.

 

Frank Ocean says 'no charges' against Chris Brown

Frank Ocean says he won't pursue criminal charges against Chris Brown, who is alleged to have punched Ocean in a recent fight.

"As a child I thought if someone jumped me it would result in me murdering or mutilating a man," the R&B star wrote on his Tumblr page Saturday.

"But as a man I am not a killer. I'm an artist and a modern person. I'll choose sanity. No criminal charges. No civil lawsuit." Brown remained under investigation for his role in a fight outside a West Hollywood recording studio on Jan. 27, Los Angeles County Sheriff's spokesman Steve Whitmore said. Witnesses told deputies that Brown punched Ocean during an argument over a parking space.

Ocean later tweeted that he "got jumped by Chris and a couple guys" and suffered a finger cut. Brown has not commented on the allegation. Whitmore said Ocean had said he "desired prosecution.

" He said the investigation was continuing because Ocean has not told authorities that he's had a change of heart. "It's ongoing until an official statement is made to us," Whitmore said. Brown, 23, remains on probation for attacking Rihanna on the eve of the 2009 Grammy Awards and is due back in court on Feb. 6 to update a judge on his progress. Ocean is scheduled to perform at the Grammys on Feb. 10, where he's up for six awards including album of the year.

30 Rock Stars Deliver Tearful Thank You To Tina Fey

Fans of Liz Lemon and her lovably zany ways were left crying "Blerg!" (general Lemon-speak for swearwords) after "30 Rock" ended its seven-year run on Thursday - and viewers weren't the only ones left feeling a bit verklempt as the show wrapped.
In a farewell video titled "Thank You Tina Fey" posted on the show's website, members of "30 Rock's" cast and crew praised the former "Saturday Night Live" star for her skills as a boss and writer, as well as her kindness as a friend and colleague.

Series stars Tracy Morgan and Jane Krakowski -- who played TGS's resident diva actors Tracy Jordan and Jenna Maroney -- both began to cry while expressing their gratitude to Tina.

"She has gone through a phase in her career where her light shone so brightly and she shared her light with all of us, which is really sweet," Jane said in the video, while wiping away tears.
A visibly (and audibly) emotional Tracy added, "She's a champion."

Tracy also shared the story of how Tina asked him to join her new series, and recalled how he signed on immediately - no questions asked.
"It was sorta like Bruce Lee when he called Kareem Abdul-Jabbar at five o'clock in the morning and he said, 'I'm making this movie called 'Game of Death,'" Tracy explained. "Kareem was sleeping and he said, 'Word. I'm in,' and that was it. They spoke about the details later."
Adding, "So, Tina was like my Bruce Lee."

Lil Wayne has yet to watch Nicki Minaj on 'Idol'

"American Idol" picked Nicki Minaj as a judge to draw in viewers, but she's actually discouraged at least one person from watching it — her mentor, Lil Wayne.

The rap star admitted Friday that he has yet to see "Idol" this season — or any other season.

"Actually, I've never watched it," he said, a bit sheepishly.

Part of the reason he hasn't tuned in to see Minaj is because she didn't exactly sell the show to Lil Wayne.

"When I talk to her she's always tells me, 'You don't wanna watch that, you're not going to be into it,'" he said.

"She knows me. ... It's kind of like a catfight where they be going back and forth type of thing, I'm not into all that," he said of the judging panel, which includes Mariah Carey, with whom Minaj had a much-publicized argument.

"The talent on that is pretty good I heard, though," he said.

Lil Wayne spoke Friday after signing autographs for more than 100 fans who were at a suburban New Orleans Macy's to support his Trukfit clothing line; a couple hundred more waited outside for a glimpse of the star.

Wayne said he's hoping to soon make Trukfit for women and children. Now, it's just a men's line. Part of the problem is finding the right designer.

"They send everything, every design to me, and I approve or decline, and the designer is extremely OK (with that). ... That person may have designed something, and I may say I hate it. I get no flack about it, and women are different," he said, laughing. "So we're trying to find the perfect female designer who has no problem with me declining what I don't like."

Lil Wayne, of course, still has his day job: His new album, "I Am Not A Human Being II," is due out March 26. When asked what fans could expect, he said, laughing: "Never have expectations for me, like never, because I probably will not meet your expectations. ... Just enjoy what you get, hopefully."